27 March 2017
We are dancing together to create a performance, Whispers in the Grass, a story of dispossession, grief and survival. Dance speech poetry and song are the archives of oral cultures and we are building our own archive of feeling. It is one of many stories of the Scots diaspora to Australia in the 19th century and it follows a local story, the story of how local farmer George McDonald’s forebears came from famine in Skye in 1852, to the Capertee Valley.
17 March 2017
Every day, comments are made to women which shape their identity, behaviours, social groups and self worth. Most of these are said with such frequency that we hardly acknowledge them. The phrases run the gamut, addressing behaviour and appearance along with directing our aspirations and goals.
17 March 2017
Cementa is very proud to have been able to facilitate a photography and painting workshop with Mudgee High School year 11 Visual Arts Students by Cementa17 artist and recent addition to the Kandos artist community, Terry Burrows.
06 March 2017
As I began research on this project I chanced upon a collection of speeches by Emma Goldman. As I re-read one of her speeches from New York I was struck by a collapsing sense of time. One hundred years ago Emma Goldman was arrested for distributing information on birth control for women.
28 February 2017
10 STEPS TO MOMA is an instructional work resulting in a moving image work that aims to test the notion of ‘publicness’ of a public places and our engagement with the architecture of institutions.
26 February 2017
Correspondence of Imaginary Places presents ‘Data Centre Séance’, a collaborative psychogeographic focus on an austere data centre in Manhattan known as ‘33 Thomas Street’ and the ‘Long Lines Building’.
23 February 2017
This year, Cementa is going international! We thought about cherry picking all the hot artists from across the international art circuit and parachuting them in to Kandos as an exercise in conspicuous consumption and arbitrary art world pandering, but decided instead that we would prefer to quietly engage with a grass roots arts community, not unlike our own that exists somewhere else in the world.