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All of the amazing artists who have participated in Cementa over the years. Thank you all!

Artists

BLACK ST.REAMER, Cementa 22. Photo Ian Hobbs

Alan Schacher

Renewal 2016

Aleshia Lonsdale

Dhalawala – Forest Country, Cementa22 photo Ian Hobbs

Alison Clouston & Boyd

The Lost City, 2022, Wool, Steel, Wood, Dye. Photo Ian Hobbs

Anne Graham

Landing, Cementa 22, photo Ian hobbs

Beata Geyer

Treatment (acoustical, electrical, mechanical) C22, Photo Ian Hobbs

Ben Denham

The Shift, Cementa22 photo Ian hobbs

Bridget Baskerville

Under Pressure, Cementa 22 photo Ian hobbs

Cheree Edwards

CloudBird are Justine Wahlin, Peter Fenwick and Anthony “Pumps” Haller

Cloudbird

Mural at Cementa22. Photo Ian Hobbs

Djon Mundine

Ebony Secombe, Stop Drop & Roll, C22. Photo Ian Hobbs

Ebony Secombe

Conversations with Kandos, Cementa22 photo Ian hobbs

Emma Campbell

Is That Cocteau's Horse?, Cementa22 photo Ian hobbs

Fiona Davies

Concrete Unknowns, Cementa22 , photo Ian hobbs

Gabrielle Bates

The Great Divide, Cementa22 photo Ian hobbs

Halinka Orszulok

Kandos Trace Garden, Cementa 22. Photo Ian Hobbs

Hannah Jenkins

Ivey Wawn, In Perpetuity, C22. Photo Gus Armstrong.

Ivey Wawn

Jo Clancy, Closing Ceremony C22. Photo Alex Wisser.

Jo Clancy

Joel Tonks, Apparitions, holographic installation C22. Photo Ian Hobbs

Joel Tonks

Smother, hand printed gelatin silver photographs, Julie Williams

Julie Williams

Sister GlitterNullius – The Kandos Dolls House, and Repatriation Ceremony, Cementa 22. photo Ian hobbs

Juundaal Strang-Yettica

Refuge, Cementa22 photo Ian hobbs

Kath Fries

Kennel Crafters, Cementa 22 photo Ianhobbs

Katrina Brennan

Karen Therese

Kaz Therese

Residue, and Where there is smoke, Cementa 22 photo Ianhobbs

Kenneth Lambert

Lyrebird Song, Cementa 22 photo Ian Hobbs

Leanne Pope

Leanne Thompson, Permeare (Weaving Water at C22) Interactive installation, foraged plant material, project documentation, lighting and sound. Photo Ian Hobbs.

Leanne Thompson

Lleah Smith, Future School at Kandos Scout Hall, C22. Photo Alex Wisser.

Lleah Smith

Landscapes and Whispers, Cementa 22 photo Ianhobbs

Maddison Gibbs

Meagan Pelham, Kennel Crafters, C22. Photo Ian Hobbs.

Meagan Pelham

Carnivale Catastrophe is a group project by Modern Art Projects Blue Mountains

Modern Art Projects Blue Mountains

Oriana Panozzo. IMO. Photo Alex Wisser

Oriana Panozzo

Peacey & Mosig in Relic garden. Photo Gus Armstrong.

Peachey & Mosig

Penny Evans, Dyagula, Cementa 22. Photo Ian Hobbs

Penny Evans

Peter Swain

Peter Swain

PvG sans PCB, 2021, performance, Collings Creative

Pia van Gelder

Renee Allara, Circles Overlapping, Nannas & Friends. Photo Alex Wisser

Renee Allara

Broken Songs, Cementa 22. Photo Ian Hobbs.

Rhonda Dee

Rory Green & Hannah Jenkins, Trace Garden, Cementa 22. Photo Ian Hobbs.

Rory Green

Renee Falex of Rubber Necker,C22. Photo Alex Wisser.

Rubber Necker

Loved (Screen Shot) 2020 video at https://vimeo.com/467331839

Sean O'Keeffe

Shammgods Cementa 22. Photo Alex Wisser

Shammgods: Live

The Kandos-Rylstone Keepsakery, Cemanta22 photo Ian Hobbs

Susannah Langley & Warren Armstrong

Syntax Error is Ben Aylward, Matthew Syres, Peter Yates, Ben Eadie

Syntax Error

Fresh Water Salt Water, acrylic paint on canvas (2 pieces), Teresa Gay

Teresa Gay

The Adorned Collective, Photo Alex Wisser.

The Adorned Collective

'I Don’t Know Where I Belong … But I Know Where I’m From' Cementa 22, photo Ian Hobbs

Thomas C. Chung

The Longest Hum, Cementa22 photo Ian hobbs

Tina Stefanou

Tom Buckland, Concrete Cowboy. Photo Alex Wisser

Tom Buckland

Tom Isaacs, Emergency Blankets, C22. Photo Ian Hobbs

Tom Isaacs

trevor brown

Trevor Brown

As Far As Kandos – Syrian Mary Make No Delay, Cementa22 photo Ian hobbs

Vivienne Dadour

Dying - Differently, Possibly, Cementa22 photo Ian hobbs

WeiZen Ho

Cementa Inc. acknowledges the Wiradjuri people as the Traditional Custodians of the Country upon which we live, learn and work. We honour their Ancestors and pay our deepest respects to their Elders, past, present and emerging.