• Join our Telematic Studio

    26 February 2019

    our very first remote studio experiment, creating a common, co-collaborative space online for regional and urban artists to connect and build creative community across distances.

  • Artist Report: Bryden Williams December 2018

    02 January 2019

    My mind drifted onto loose ends of my research as I peddled headwind on the undersized mountain bike.

  • Andrew Frost Cementa Residency

    30 July 2018

    The first night in Kandos at the residency the overnight temperature dropped to – 8.

  • Artist Report by Irene Ridgeway

    04 June 2018

    On my first day of arrival till the last day of leaving there was always a sense of a belonging, not only to country but finding a new belonging to people and history?

  • Artist Report: Claire Healy and Sean Cordeiro

    26 May 2018

    Staying in Kandos feels a little bit like being back in art school. When we went to University, CoFA campus was tiny. It was quite hard to get around without bumping into friends and having a nice chat.

  • Cementa17 Showreal!

    04 July 2017

    Just when the happy memories have begun to fade and the workaday world closes in around you, we have gone and made a showreel of all the fun that was had at Cementa17 Enjoy!

  • Photos Day 4

    17 April 2017
  • Photos Day 3

    13 April 2017

    Another brilliant day of Cementa17. Be patient, this post contains a lot of art.

  • Photos day 2

    08 April 2017

    Check out the day two Cementa17 photos.

  • Photos Day 1

    07 April 2017

    A few of the photos of the first day of Cementa17

  • Recognise by Aleshia Lonsdale. Facilitated by Jason Lujan

    05 April 2017

    When researching for this project I was struck by the lack of acknowledgement of the First Nations People of New York. This work was a step into a medium I have not explored i.e street art in the forms of stencils and as a follow up paste ups. The design was a fusion of an Aboriginal Australian protest slogan – Always was, Always will be Aboriginal Land and the Native American Medicine Wheel – with the colours of red, yellow and black which hold significance for both First Nations peoples. This work was an attempt to bring to peoples consciousness the presence of First Nations people in New York city and their connection to their land.

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