[caption id="attachment_1127" align="aligncenter" width="545"] Film Stills- 2010
Bronia Iwanczak[/caption] Bronia Iwanczak is a visual artist whose mixed media practice encompasses film, photography and sculptural installation. For the last 20 years she has exhibited nationally and internationally, and has been the recipient of grants including both the Australia Council’s residency programs for Los Angeles and New York. Her work is held in a number of national and international collections which include Artbank, the Samstag collection, the Tate Gallery Library and the Penelope Seidler collection. With a diverse background that straddles the disciplines of Design, Visual Arts and Exhibition Curation, her interests lie at the intersection of narrative explorations of contested histories in relation to the built and natural environment. Sub themes include, social revolution, the politics of religion, ritual performance, the consciousness of objects and technology. Recent site-specific projects include Anachronism,Gardenism at Centennial Park, Sydney, and Appin Labyrinth, Appin, NSW. Since 2006 she has been the director of the project, Openletter, an ongoing curatorial program for the presentation of artist books and text multiples.
Bronia Iwanczak[/caption] Bronia Iwanczak is a visual artist whose mixed media practice encompasses film, photography and sculptural installation. For the last 20 years she has exhibited nationally and internationally, and has been the recipient of grants including both the Australia Council’s residency programs for Los Angeles and New York. Her work is held in a number of national and international collections which include Artbank, the Samstag collection, the Tate Gallery Library and the Penelope Seidler collection. With a diverse background that straddles the disciplines of Design, Visual Arts and Exhibition Curation, her interests lie at the intersection of narrative explorations of contested histories in relation to the built and natural environment. Sub themes include, social revolution, the politics of religion, ritual performance, the consciousness of objects and technology. Recent site-specific projects include Anachronism,Gardenism at Centennial Park, Sydney, and Appin Labyrinth, Appin, NSW. Since 2006 she has been the director of the project, Openletter, an ongoing curatorial program for the presentation of artist books and text multiples.