Cementa Contemporary Arts Festival: Kandos NSW Nov 21-24 2019
4 days and nights of performance, sound, cabaret, interactive and electronic arts, video, photography, installation and ceramics
Kandos was built to house the workforce of the Kandos cement works and collieries. Sitting at the foot of Combamolang (Coombermelon) Mountain – Kandos looks out at one of the most stunning landscapes in inland NSW. With this region as its focus, Cementa17 will celebrate the diversity of voices that can be heard within our contemporary arts communities.
Cementa17 presented a strong showing of works by Indigenous artists, including installations by Tony Albert, Teena McCarthy and Paris Norton, and a portrait series by Mervyn Bishop. For the first time we ventured out of town to locations in the landscape. PYT | Fairfield presented Pagoda Parkour at Ganguddy.
In the Correspondence of Imaginary Places, artworks by 7 artists from New York were installed at Birds Hut by 7 Australian artists; the Australian artists, in return, had their work installed in and around Manhattan. Gilbert Grace presented The Hemp Initiative as part of his residency on Marloo, a 3000-acre property outside Kandos. Farmer Stuart Andrews lead a tour of Marloo, demonstrating Natural Sequence Farming.
Cementa17 was loaded with our usual events: Opening Night, Sound Night, Cabaret Night, not to mention daytime scheduled and spontaneous performances. Mark Shorter and Sach Catts dug and chopped in rhythmic exchange, Greg Pritchard played a round of performance golf, Linda Brescia dressed up as an artist to allay anxieties.
26 February 2019
our very first remote studio experiment, creating a common, co-collaborative space online for regional and urban artists to connect and build creative community across distances.
02 January 2019
My mind drifted onto loose ends of my research as I peddled headwind on the undersized mountain bike.
12 October 2018
The dormant black plastic Lying tied up, contained