Sophie’s Circles is also intended to create a continuity with and acknowledgement of the artists working a century ago to develop artforms and art practices that could contribute to the revaluation of place (though they may have used different language), well before the disasterous consequences of this devaluation in climate change was generally acknowledged. It also experiments with ways of including the relationship with actual space that is such an important part of their work by preventing its actual space (the ‘space’ of Spaceland) from being subsumed into the virtual space of photographic documentation (our own variation of Lineland).