Alex Tálamo
Alex Tálamo’s solo works draw on choreographic strategies to explore autobiographic research, military mythology, and cultural memory, within which she pays close attention to the often slippery, in‑between, and undocumented ways in which we understand notions of belonging and relation. Her work reflects the experience and labour of intergenerational memory from the perspective of an artist working within aesthetic lineages, and as a daughter of a migrant living within a border‑anxious state. Her practice as a theatre director engages a process of slow dramaturgy, working with ensembles over a long duration to create physically based performances, usually through devised processes.
Hidden scenes, treasured objects and wild tales. Discover Kandos not through its monuments, but through its memories. Mapping the everyday brilliant things that might otherwise be missed, The Kandos Review takes you on an intimate journey around town through the eyes of local residents. Awe at the infinitesimally small, marvel at the extraordinary ordinary and follow a path that reveals some of the unseen secrets that shape the town and those who live here.
Kandos stories are indexed to sites around Kandos and presented as a map.
