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Kath Fries

Refuge | 2021

Entanglements, 2019, recycled textile felt, beeswax, glass terrariums, growing and air-dried oyster mushrooms, ceramic shards and broken moulds, wire and threads, sisal rope and twine. Photo: Ellen Dahl
Entanglements, 2019, recycled textile felt, beeswax, glass terrariums, growing and air-dried oyster mushrooms, ceramic shards and broken moulds, wire and threads, sisal rope and twine. Photo: Ellen Dahl

bio:

Kath Fries lives on the unceded lands of the Wangal and Gadigal people of the Eora Nation. She has a PhD from Sydney College of the Arts, University of Sydney and has been awarded grants from the Australia Council for the Arts, the Ian Potter Cultural Trust, the Japan Foundation and NAVA. Kath has been artist in residence at Taleamor Park, LaPorte, USA; Arteles Creative Centre, Finland; BigCi, Bilpin NSW; Fremantle Art Centre, WA; Fairfield Museum, NSW; Hill End, NSW; Bundanon Trust, NSW; The Lock-Up Museum, Newcastle NSW and Laughing Waters, VIC. She has recently exhibited in No Show at Carriageworks, Embrace at Our Neon Foe Leichhardt, Companions at PARI Parramatta, Raw Clay Lab at Eramboo Terrey Hills, Occupied at Blue Mountains Cultural Centre, Introversion at Articulate Leichhardt, Super-organism at Kudos Gallery Darlinghurst, Entanglements at Peacock Gallery Auburn, and Siteworks at Bundanon.

statement:

Kath’s practice involves finding sensory ways of reconnecting with our material and immaterial surroundings. She considers her creative process to be co-creative, as it is tactile and material-lead, working with natural, growing, changing materials. The quiet attentiveness of these processes evolves into a fluid conversation between the materials, herself, time and place. In this way, Kath’s work evokes poetic material metaphors, which extend into empathetic understandings of interconnectedness. By developing playful sensory encounters and relationships in the work, different perspectives about our ecological interdependencies unfold, challenging ingrained assumptions of human dominance and disconnection. On a foundational level her creative practice is informed by mindfulness and meditation practices, embedded in Buddhist philosophies of impermanence, interconnection, and compassion. These understandings about our entangled existence focus creative engagements with layered histories, complex biodiversity, sentient matter-flow, circular system-thinking, and embodied experiences.

Materials | Rope, bamboo, grasses, tree and plants
Location |
Hive Drawing, 2019-2020, beeswax and turmeric on paper. Photo: Silversalt
Hive Drawing, 2019-2020, beeswax and turmeric on paper. Photo: Silversalt