Lucas Abela
I build large-scale stochastic instruments devised to switch roles between audience and performer in line with my philosophy that experimental music is more rewarding to play than observe. These participatory creations employ situational aesthetics to lure people into inadvertently performing them by providing fun, tangible experiences. For instance, Vinyl Rally, used the language of video arcades to ease audiences into interacting with the work, the familiar format providing an access point. Similarly, my pinball / instrument hybrids appropriated the format to the same effect, tapping into an affinity people have with these much loved amusements. Using similar methodology, I’m currently exploring the potential of turning playground equipment into electronic musical instruments to provide sonic play experiences for children. My goal being to introduce children to the game of electronic music making, by giving them access to the associated toys.
Experimental music is more rewarding to play than observe